Wednesday, September 5, 2007

Four feet and shaky ground


DEEPTI PAREKH


Believing in a cause is one thing. Trying to make others see why you believe, completely another. You have to be objective towards a subject you feel strongly about, tell your reader the story without sounding indignant, and hope it will move him enough to think, even act.

Indra Sinha has pulled this off with Animal’s People, and quite effortlessly at that. The man has taken on the onus for justice for the victims of the Bhopal Gas Tragedy- writing appeals, contributing to the clinic and doing everything possible to make Union Carbide pay its due. He’s also met some exemplary people along the way. Animal’s People is their story, told simply, without making victims of the Bhopalis, or the ‘Khaufpuris’, as they are known here.

The narrator and protagonist is an unruly, shrewd boy of seventeen who refuses to call himself human. Back literally bent by the poisonous gases from the Kampani, ‘Animal’ walks around on all fours ‘jamisponding’ for Zafar, the almost superhuman activist who is hero for the entire town. What really defines him is his relationships with the women in the story, be it four year old Aaliya, the resolute, batty Ma Franci, the mysterious Elli doctress or the idealistic Nisha, who both Zafar and he adore.

Having Animal tell the story is a great device, and, in retrospect, the only way Sinha could have got through without sounding preachy or plain barking mad. This account is anything but bitter. Funny, yes. Ironic, yes. Bitter, no. And somewhere between the endless questions about the future and the sharp one-liners (“…that’s a trade secret, Kha”) you start understanding why, thirty years later, they still haven’t given up.

The most moving part of the book? The dedication to Sunil, one of Bhopal’s unfortunate survivors and heroes and a man who, like the protagonist, heard ‘voices’ after that night. We may have been spared from hearing those voices, but Animal’s voice is not going to die down anytime soon. Here’s hoping it never does.

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